Andrew Gingerich

Filmmaker/Educator

About

Andrew Gin­gerich is a film­mak­er whose work explores notions of fam­i­ly, dis­so­ci­at­ed iden­ti­ties, region­al alle­giances, and the bound­aries of fic­tion. He lives and teach­es in Michi­gan’s Upper Peninsula.

Directing/​editing reel

Film and video work direct­ed and edit­ed by me.

Excerpted works:

Talkin to My Monstaz

  • 4 min­utes
  • HD video
  • B&W
  • My role: Director/​Editor

I direct­ed this music video for Sioux City rap­per Mojo Mayne. In col­lab­o­ra­tion with the artist, I devel­oped the con­cept of Mojo fac­ing off against a shad­owy “mon­ster” that brings out the worst in people—each a man­i­fes­ta­tion of the sev­en dead­ly sins.

We shot on a Canon 5D III and Sony FS700, and edit­ed in Pre­miere Pro and After Effects. The cin­e­matog­ra­ph­er was Brett Funke, my stu­dent at West­ern Iowa Tech Com­mu­ni­ty college.

Building Connections with Students

  • 5 min­utes
  • HD video
  • Col­or
  • My role: Director/​Cinematographer/​Editor

Steve Aron­son of Teach Authen­tic dis­cuss­es his phi­los­o­phy of class­room man­age­ment and gen­uine inter­ac­tion with students.

I was a one-man-band respon­si­ble for cam­era, sound, and light­ing on this shoot, which involved a mix­ture of doc­u­men­tary-style shoot­ing and sit-down tes­ti­mo­ni­als. I shot on my trusty Canon T3i, record­ed sound with a lava­lier body pack, and edit­ed in Pre­miere Pro.

Coffee with John

  • Series of 5 web videos
  • HD video
  • Col­or
  • My role: Director/​Cinematographer/​Editor

I helped plan and pro­duce this series of videos for John Kefalas’s 2010 reelec­tion cam­paign for Col­orado State House Rep­re­sen­ta­tive. While in the midst of a much more ambi­tious pro­duc­tion, we got the news that we would have sig­nif­i­cant­ly less time with the can­di­date than we expect­ed, so we rethought our con­cept and decid­ed on a much sim­pler approach: we had John sit down a cof­fee shop for an hour and have a con­ver­sa­tion with a vot­er about the issues impor­tant to him.

That con­ver­sa­tion pro­vid­ed ample footage to cut togeth­er minute-long videos on four top­ics, and a longer flag­ship video that cov­ered John’s can­di­da­cy more gen­er­al­ly. The videos were pub­lished on the cam­paign’s YouTube page and shared across social media and on the cam­paign’s website.

I direct­ed, shot, and record­ed sound for this project, which I edit­ed in Final Cut Pro.

Branches

  • 113 min­utes
  • HD video
  • Col­or
  • My role: Writer/​Director/​Editor

This scene from my nar­ra­tive fea­ture film Branch­es fea­tures Tim Rus­sell and Britt Slater as a father and daugh­ter. Col­lab­o­rat­ing with these two and the oth­er tal­ent­ed actors on this low-bud­get film remains one of the most cre­ative­ly ful­fill­ing expe­ri­ences of my life.

I wrote and direct­ed the film, which shot in rur­al Min­neso­ta in 2012. I edit­ed in Pre­miere Pro, did some minor visu­al effects in After Effects and grad­ed in DaVin­ci Resolve. The direc­tor of pho­tog­ra­phy was Matt Kane, and the sound recordist was Owen Brafford.

Ghost to Ghost

  • 16 min­utes
  • HD video/​16mm/​Super 8
  • Color/B&W
  • My role: Director/​Cinematographer/​Editor

I made this exper­i­men­tal doc­u­men­tary as a col­lab­o­ra­tion with my grand­moth­er Gladys, who I inter­viewed exten­sive­ly for the film, and her moth­er Trasie, whose amus­ing and macabre voice record­ings are used through­out the piece. The film is an exca­va­tion of fam­i­ly his­to­ry, an inter­ro­ga­tion of mor­bid humor, and an attempt to “shake hands with the dead.”

I did all the sound record­ing for the film, and shot on a mix of dig­i­tal HD video and hand-processed black-and-white film. I edit­ed in Pre­miere Pro, mixed the sound in Audi­tion, and did the final col­or grade in DaVin­ci Resolve.